![]() ![]() Both Jourgensen and K-Lite were impressed with the aggressiveness of each other's music, and Jourgensen invited him to contribute vocals for a track. Jourgensen said that Ministry and K-Lite had been recording songs at the same time at the studio. : 52 The New York-based rapper K-Lite sang vocals on "Test". : 52–53Īfter playing with the band on The Land of Rape and Honey 's tour, Dave Ogilvie collaborated on this album. Rieflin cited "So What" as the only track to feature two musicians in the studio at the same time. Connelly compared it to exquisite corpse, a Surrealist technique in which an artistic work is created collaboratively without any of the participants having knowledge of the others' contribution. Instead of writing music, they all improvised individually, rarely collaborating with each other. : 52įor pre-production, Rieflin said he and Barker watched films for a month, sampling anything that caught their interest. ![]() Bill Rieflin and Chris Connelly instead attributed the album's sound to the band's interest in technology. ![]() Jourgensen credited the era, the city, and the atmosphere at Chicago Trax Studios for the album. ![]() In one instance, he chased bassist Paul Barker around the studio with a chair and hit him on the head with it because he "couldn't stand him anymore". : 52 Jourgensen says that despite being a fan favorite, it is not among his favorites because of the condition he was in at the time he was heavily into drugs during recording and had a poor relationship with his bandmates. Jourgensen recalled the band's state as dysfunctional and the album's production as "complete chaos and mayhem", which gave the band a level of artistic freedom impossible had they planned it. ![]()
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